py_20230228


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or directly on the move in the solution

1 - 2# circe

Caillaud, M.
1983

white Sa2b2 Ra1h2 Pa6e5f6 Be1 Qg5 Kh6 black Pa5c2 Bb3 Ka3
#2 Circe(10+4)
a captured piece is reborn on its home square if it is free.

 

2 - serial helpmate consequent 9#

Dupin, J.
1981

white Pf5e4c2c4 Sa5 Ka8 black Sg2c6 Pf3g4f4d5d3b4b3 Kd4 Rb7
ser-h#9 consequent(6+11)
the legality of each position must be considered in its own (independently of the other moves).

 

3 - selfmate 9# with double grasshoppers

Wenda, K.
2012

white DBb3 Qg2 Ph2e5d4c3 Rh3f5 Bh7c1 Sg5 Ka3 black DKd8g3 Kg4 Pc2d5 Qe6
s#9(12+6)
🨌b3: Doublebishopper
🨑d8, g3: Doublerookhopper
piece that makes two successive grasshopper moves.
Here we have a bishop-grasshopper and two rooks-grasshopper.

 

4 - 2# quintessences-lions

Quah, J.
2022

white QNa8b8f8 WLd5g1 Ke2 Rc4 Sa4 black BLe7 Pc7a7c3 Ka3
#2(8+5)
🨴d5, g1, 🨺e7: Lions
🨷a8, b8, f8: Quintessence-lions
Moves along the Queen's lines with the help of a jumper
A Quintessence is a Nightrider bifurcating 90 degrees with each movement.
For example 🨷a1 can play b3, d2, e4, g3 & h5.
A Quintessence-Lion needs a sautoir.
The 🨷f8 can go to b5 via e6-c7, the 🨷a8 also via c7.

 

5 - h#2 breton

Crisan, V & Huber E
2019

white Ra4d2 Sb5f7 Pa3b4g6 Bg3h7 Kd7 black Bc4g5 Rc3f5 Ke3 Sd6f4 Pe4
h#2 breton(10+8)
b) ♞f4-->d3
breton When a piece is captured, another piece of the same kind must disappear into the capturing camp at his choice

a) On which square mate will certainly not be given?
The square d3, five times controlled, of course !
b) the mate will certainly not take place on the square f4, four times controlled, will it? ?

 

6 - serial helpmate 15# with Pao

Emmerson, St
2014

white PAg2 Sg4 Ka1 Pf6 black Pd7f7g7 Kg1
ser-h#15(4+4)
🨵g2: Pao
moves like a Rook but needs a sautoir to capture

 

7 - h#2,5 take & make

Tritten, P.
2014

white Bb4 Kb1 Ph4 Rd8 black Rc3 Bd1 Ke6
h#2.5 Take&Make(4+3)
b) -♙h4
After a capture (Take), the capturing piece must pay tribute to the captured one
by making a move without a capture (the Make) with the march of the opposing piece it has just captured

 

 

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