py_20170117


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1 - #4 All-in chess Growing Men

Bissicks, P & Ravi Shankar SN
2016

white Pg4d3a7b6b5a5 Ka6 Bf1 black Pd4g5 Ka8
#4 All-in-chess Growing men(8+3)
All-in chess "Complete" or "all-in" chess. One may play one's own pieces or the opponent's pieces, provided that one does not return immediately, which would cancel a move made. For example in Kf1, Pa7 & h2 / Kh1, you mate in 2 by 1 a8B+! (1 a8Q+? Qa6) Kxh2 2 Kh1!!# (this is not the same position), which would be illegal without the Ph2.
Furthermore, in this problem we are in growing men where a unit can never play a move shorter than the last move it made.

 

2 - #11 all-in-chess Growing Men

White King is on a7 (but yeah !) which is legal, provided that each King is "enlarged".

Bissicks, P & Ravi Shankar SN
2016

white Ph7h6g5f6d6b6a6a3 Ka7 black Pg6f7d7 Sh8 Ka8
#11 All-in-chess Growing Men(9+5)

 

3 - #2 with argentinian pieces

Rehm, HP & Widlert K
2016

white Pf3b4b5a2 Ka6 Rd4b3 Bc2 black Ka4 Pd5 Se7 FAc8 LOg6
#2 argentinian chess(8+5)
🨑c8: Faro
🨒g6: Loco
, invented by Mr. Rittirsch in Andernach in 2016, reverse the rules of Chinese Chess:
a piece plays "normally" when it captures, but needs a sautoir to play a move which is not a capture.
The Leo becomes a Senõra, the Pao a Faro and the Vao a Loco.
It is Faro on c8 and a Loco on g6.
The Señora is absent.
As well as the equivalent of Mao & Moa, the Saltador, who plays like a Knight,
except that he cannot capture if the two intermediate squares are occupied, and that he cannot play a non-take if the two intermediate squares are empty.
For example, if the Ne7 were a Saltador, it could only play a single move (but could capture a white f5 pawn).
However, if it were moved to a5, then it could play b7, c6 & c4 but could not capture b3.

 

 

4 - h#9 argentinian chess

Geissler, N.
2016

white Pf2 Kh1 black Ph4f3a2b2c2h3h2 Ka8
h#9 argentinian chess(2+8)

 

5 - reflex #10 argentinian chess Circe

Borst, D & Smits G
2016

white SEc6 Pa3d2h5 WAe2 FAb7f3 Kh2 black Ka8 LOh3 BAa4h8
r#10 argentinian Chess Circe(8+4)
🨊c6: Senõra
🨋b7, f3: Faro
🨒h3: Loco
🨍e2, 🨓a4, h8: Saltador
when a mate is presented, we are obliged to execute it

a captured piece is reborn on its native square if free

 

 

6 - h#3 Köko

Winterberg, H.
1993

white Sd6e6 Kf5 black Kd4
h#3 Köko(3+1)
b) ♔f5-->e7
: at the end of a move, the piece that has played must be in contact with another one

 

 

7 - #3 Köko

Lehmkühl, A & Reich HP
1989

white Qh3 Kf2 black Kh1 Bh2
#3 Köko(2+2)

 

8 - h#3 Anti-Andernach

Rice, J.
2009

white Pe3 Kb8 Sc4 black Pd5 Ke4 Bd4 Rf3
h#3 Anti-Andernach(3+4)
b) ♙e3-->c2
a piece that plays without capturing changes colour

 

9 - h#2 with Queen and Bishop chameleon

McDowell, M.
2012

white Kg6 white Chameleon Qg7 Bb8 black Ke4 Be6c5
h#2(3+3)
2 solutions
♗b8: Chameleon Bishop
♕g7: Chameleon Queen
Chameleon piece : when a cameleon piece plays, it transforms according to the cycle N->B->R->Q->N

 

10 - serial h#8 Andernach

V.RALLO
2009

white Pf6f4 Kd5 Se5 black Sc4 Pf7 Kf5 Rb1 Ba2
ser-h#8 Andernach(4+5)
a capturing piece changes colour (except for Kings)

 

11 - h#3 Mars Circe

Nebotov, V.
2013

white Pg6 Kc7 Rg7 black Pb7d7f7h7 Ke8 Ra8h8
h#3 Mars Circe(3+7)
2 solutions
: Piece movements are normal
but in order to capture, a piece virtually passes through its native square

 

12 - réflex #2

Morice, J.
1977

white Bh7g1 Ka1 Qf1 Pd2d7 Sa3 Rh3 black Bh4 Kd3 Qe2 Pa2c2c6e5g6 Se3 Rg3e4
r#2(8+11)

 

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